tag:blogger.com,1999:blog-26911780874143802662024-03-14T05:23:09.020+01:00Blog de GeoHistoria de JJLucasLa pizarra de SocialesJose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.comBlogger150125tag:blogger.com,1999:blog-2691178087414380266.post-62694274732280557442020-04-25T07:00:00.000+02:002020-04-25T07:00:05.848+02:00Batalla de Almansa 1707<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-CXCBS92q6qU/U1ULFasGrdI/AAAAAAAAAeg/VyzCPwd1p3M/s1600/Ligli-Batalla_de_Almansa.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="252" src="https://1.bp.blogspot.com/-CXCBS92q6qU/U1ULFasGrdI/AAAAAAAAAeg/VyzCPwd1p3M/s1600/Ligli-Batalla_de_Almansa.jpg" width="640" /></a></td></tr>
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La Batalla de Almansa de Buenaventura Ligli (en depósito del MNP en el Palacio de Benicarló -Cortes Valencianas)</div>
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<span style="background: white; color: #353535; font-size: 14.0pt;">A finales del siglo
XVII, el 1 de noviembre de 1700, muere sin descendencia Carlos II “El
Hechizado”. <span class="apple-converted-space"> </span>Su herencia
recayó en Felipe de Anjou, nieto de Mª Teresa, hermana de Carlos II, pero
Austria se opone a esta decisión que acabaría con los Habsburgo en la Corona de
España.</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<span style="background: white; color: #353535; font-size: 14.0pt;">La Teoría del
Equilibrio Europeo se veía amenazada, a causa de que dos tronos, el español y
el francés, pudieran ser gobernados por un solo soberano, a lo que se añade el
desasosiego de Inglaterra y Holanda por la apertura a Francia del mercado con
las Indias.</span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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<span style="color: #353535; font-size: 14.0pt;">Desde este momento, los dos
pretendientes tiene distintos aliados; los Borbones a Francia, dos príncipes alemanes
y a Castilla. Por su parte Leopoldo I de Austria constituye la Gran
Alianza con Austria, Inglaterra, Holanda
y la mayor parte de Alemania y más tarde Portugal y Saboya. En 1.705 los reinos
de la antigua Corona de Aragón reconocen al <b>Archiduque Carlos de
Austria</b> como Rey de España y Conde de Barcelona.<o:p></o:p></span></div>
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<span style="color: #353535; font-size: 14.0pt;">En 1707, se produce el encuentro de
ambos ejércitos en las cercanías de Almansa, el 25 de abril de 1707. El
ejército aliado se encontraba totalmente dispuesto en orden de batalla, bajo el
mando del Marqués de las Minas y de lord Galloway y se componía de 100
hugonotes franceses, 4.800 ingleses, unos pocos españoles, 1400 holandeses, 250
alemanes y 7.670 caballeros portugueses; en total 16.000 hombres. Las tropas
borbónicas (caballería francesa, española e infantería irlandesa) contaban con
12.000 hombres bajo el mando del <b>duque de Berwick</b>, que esperaban
los refuerzos del Duque de Orleans, que no llegarían a tiempo.<o:p></o:p></span></div>
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<span style="color: #353535; font-size: 14.0pt;">Las tropas del Archiduque Carlos de
Austria fueron derrotadas, las pérdidas se cifraron en seis mil muertos y
heridos en las tropas austracistas y tres mil en las borbónicas. La victoria
permitió a los felipistas ocupar Aragón y Valencia que vieron sus fueros
suprimidos, sus tierras ocupadas militarmente, y sufrieron una fuerte
represión. Játiva fue la más perjudicada, soportó, fiel al Archiduque, desde el
26 de mayo al 6 de junio, por lo que fue incendiada y cambiado su nombre por el
de San Felipe. El acta de capitulación de la Batalla de Almansa se firmó en la
Casa de los Enríquez de Navarra, donde estuvieron alojados S.A.R. el Duque de
Orleans y el Duque de Berwick.<o:p></o:p></span></div>
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<br />Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-76311655332859322132020-04-23T03:30:00.000+02:002020-04-23T03:30:11.704+02:00San Jorge <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-NmfBCCIUUnM/U1UDnki4i4I/AAAAAAAAAeA/Yl9qGBgGFik/s1600/san-jorge-dragon.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="305" src="https://3.bp.blogspot.com/-NmfBCCIUUnM/U1UDnki4i4I/AAAAAAAAAeA/Yl9qGBgGFik/s1600/san-jorge-dragon.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">San Jorge de Paollo Uccello<br />
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<b><span style="color: #080808;">HISTORIA<span style="font-size: 16pt;"><o:p></o:p></span></span></b></div>
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<span style="color: #080808; font-size: 12.0pt;">Hoy se celebra la festividad de San Jorge. No está del
todo claro su existencia real, pero es
un santo muy venerado en España y el resto de Europa. Cuenta la leyenda
que fue un soldado romano de Capadocia, en la actual Turquía, que sirvió al
emperador Diocleciano y
liberó a una antigua ciudad libia de las fauces de un terrible y pestilente
dragón. Roma perseguía por entonces a los cristianos, y como San Jorge confesó
que lo era fue torturado y decapitado por orden del gobernador Daciano. Se cree que, de existir, pudo
haber vivido entre los años 275 y el 23 de abril de 303. La fecha de su muerte,
que marca la onomástica del mártir.<o:p></o:p></span></div>
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<span style="color: #080808; font-size: 12.0pt;">El uso de los símbolos
que representan al santo, la cruz
roja sobre fondo blanco y el caballero clavando su lanza al dragón, está muy extendido en la
heráldica europea. San Jorge es el patrón de Cataluña y de Aragón, pero también
de Portugal, Inglaterra, Georgia, Rusia y de otras muchas ciudades, regiones y
países del continente. La cruz del santo forma las banderas de Inglaterra y
Georgia, y protagoniza los escudos de Londres, Milán, Barcelona y Almería,
entre otras muchas ciudades de Europa. Además, la escena del soldado romano
matando a la bestia forma parte de los blasones de Aragón, Rusia y Georgia.<o:p></o:p></span></div>
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<span style="color: #080808; font-size: 12.0pt;">La popularización de la historia de San Jorge es
paralela a la de «La leyenda dorada», del beato Santiago -o Jacobo- de la Vorágine. Este dominico italiano, que
fue arzobispo de Génova en el siglo XIII, reunió en la obra la colección más
importante de “Vidas y Leyendas de Santos”. Según cuenta el beato, San
Jorge llegó a una ciudad libia llamada Silca cuyos habitantes vivían
atemorizados por un enorme y pestilente dragón que se escondía en un lago
cercano. Los lugareños echaban al día dos ovejas al lago para que el monstruo
se alimentase con ellas, pero cuando le faltaba comida, la bestia se dirigía a
la ciudad y contaminaba el aire con su hedor, provocando así la muerte de
muchas personas. Llegó el momento en que casi no quedaron ovejas en la ciudad,
y sus habitantes decidieron alimentar a
la criatura con doncellas elegidas por sorteo. Poco a poco se fue
despoblando Silca, hasta que el azar escogió a la hija del rey. El monarca
ofreció todas sus riquezas para salvar la vida de la joven, pero sus súbditos
le amenazaron con matarlo si no la entregaba a la nauseabunda bestia.<o:p></o:p></span></div>
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<span style="color: #080808; font-size: 12.0pt;">De la Vorágine cuenta que cuando la chica estaba a
punto de ser devorada por el dragón, el santo, montado en su caballo, clavó su
lanza a la criatura. Con la bestia malherida, San Jorge ordenó a la joven que
la atase como si fuese un perro, y soldado y doncella llevaron al monstruo a la
ciudad. Allí, San Jorge pidió a
los lugareños que se bautizasen, y después de que estos lo hiciesen
terminó de dar muerte a la terrible criatura. Como ya hemos contado, más
adelante, el santo se negó a rechazar ante las autoridades romanas su fe
cristiana, y por esta razón fue torturado y decapitado.<o:p></o:p></span></div>
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<a href="http://2.bp.blogspot.com/-9ALrTB2EQKw/U1UHyjC9dRI/AAAAAAAAAeM/MaJgItjVeHk/s1600/dia_libro_2014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="84" src="https://2.bp.blogspot.com/-9ALrTB2EQKw/U1UHyjC9dRI/AAAAAAAAAeM/MaJgItjVeHk/s1600/dia_libro_2014.jpg" width="320" /></a></div>
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<b><span style="color: #080808; font-size: 12.0pt;">FESTIVIDAD<o:p></o:p></span></b></div>
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<span style="color: #080808; font-size: 12pt; line-height: 16.3pt;">Día Internacional del Libro</span><span style="color: #080808; font-size: 12pt; line-height: 16.3pt;"> </span><span style="color: #080808; font-size: 12pt; line-height: 16.3pt;">y de la Lengua Inglesa en Naciones Unidas</span></div>
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<span style="color: #080808; font-size: 12.0pt;">En Colombia día del Idioma y del Bibliotecólogo<o:p></o:p></span></div>
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<span style="color: #080808; font-size: 12.0pt;">San Jorge en Brasil (Rio), en Chile y Rumania<o:p></o:p></span></div>
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<span style="color: #080808; font-size: 12.0pt;">En España tiene especial relevancia en muchas
localidades, destacando:<o:p></o:p></span></div>
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<b><span style="color: #080808; font-size: 12.0pt;"><a href="http://www.associaciosantjordi.org/" target="_blank">Alcoi </a>: </span></b><span style="color: #252525; font-family: "arial" , "sans-serif"; font-size: 10.5pt;">según una leyenda
ayudó a los cristianos en su lucha contra los musulmanes</span><b><span style="color: #080808; font-size: 12.0pt;"><o:p></o:p></span></b></div>
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<b><span style="color: #080808; font-size: 12.0pt;"><a href="http://sanjorge.esdearagon.es/" target="_blank">Aragón</a> </span></b><span style="color: #080808; font-size: 12.0pt;">Patrón de la Comunidad<b><o:p></o:p></b></span></div>
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<b><span style="color: #080808; font-size: 12.0pt;">Castilla y León</span></b><span style="color: #080808; font-size: 12.0pt;"> o <a href="http://www.fundacionvillalarcyl.es/modulo/?refbol=dia-de-la-comunidad&refsec=dia-de-villalar-2014&idarticulo=126295" target="_blank">Dia de Villalar</a>(derrota de los comuneros en la Batalla de Villalar)<b><o:p></o:p></b></span></div>
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<b><span style="color: #080808; font-size: 12.0pt;"><a href="http://www.bcn.cat/santjordi/ca/tradicio.html" target="_blank">Cataluña:</a> </span></b><span style="color: #080808; font-size: 12.0pt;">Patrón de la Comunidad
(origen común con Aragón)<b><o:p></o:p></b></span></div>
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<br />Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-66270169928037638632020-04-15T09:00:00.000+02:002020-04-15T20:31:13.166+02:00Viajando desde le sofá......<br />
<span style="background-color: white; color: #222222;"><span style="font-family: Verdana, sans-serif;"><span style="color: #444444;">Estos días de vacaciones, que otros años hemos utilizado para conocer el mundo, este año nos toca quedarnos en casa, no podemos viajar, aunque te propongo organizar un plan de viaje para el futuro. Todos tenemos ganas de conocer otros lugares, recoger datos e informaciones curiosas. Estos días </span></span></span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://1.bp.blogspot.com/-DP67YyR2b4w/XpdSZv4oyvI/AAAAAAAAeZU/AeyTu_jw7bY9C1rNoLW_MyDxgpS3m8VWwCLcBGAsYHQ/s1600/IMG_20200312_073222.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="150" src="https://1.bp.blogspot.com/-DP67YyR2b4w/XpdSZv4oyvI/AAAAAAAAeZU/AeyTu_jw7bY9C1rNoLW_MyDxgpS3m8VWwCLcBGAsYHQ/s200/IMG_20200312_073222.jpg" width="200" /></a></span></div>
<span style="font-family: Verdana, sans-serif;">estamos dentro de casa y creo que todavía estaremos algún tiempo, así que, hemos pensado un plan para que viajes y que conozcas otras culturas desde el sofá de tu casa, así el confinamiento se te hará mucho más ameno. Os proponemos toda una serie de lugares disitintos y apasionantes para realizar tu viaje. En el tiempo que tenemos te propongo los siguientes destinos:</span><br />
<br style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;" /><br />
<ul style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif;">
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;"></span><span style="font-family: verdana, sans-serif;"><a data-saferedirecturl="https://www.google.com/url?q=https://www.google.com/maps/about/behind-the-scenes/streetview/treks/petra/&source=gmail&ust=1587061307065000&usg=AFQjCNGsm5D8CQ_zTccLSHMENDGEw4ohGw" href="https://www.google.com/maps/about/behind-the-scenes/streetview/treks/petra/" style="color: #1155cc;" target="_blank">Petra</a>, ¿dónde cae eso?</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">La <a data-saferedirecturl="https://www.google.com/url?q=https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/oceans/&source=gmail&ust=1587061307065000&usg=AFQjCNHCIhVpqcT-7P6w3ofFj2aRoZe5tQ" href="https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/oceans/" style="color: #1155cc;" target="_blank">Gran Barrera de Coral</a>, en Australia </span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">El<a data-saferedirecturl="https://www.google.com/url?q=https://www.google.com/intl/es_ES/maps/about/behind-the-scenes/streetview/treks/grand-canyon/&source=gmail&ust=1587061307065000&usg=AFQjCNE81wp46YoiM7ufM1PvM33hoqHJPA" href="https://www.google.com/intl/es_ES/maps/about/behind-the-scenes/streetview/treks/grand-canyon/" style="color: #1155cc;" target="_blank"> Gran Cañón</a> del río Colorado, en EEUU</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">El <a data-saferedirecturl="https://www.google.com/url?q=https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/mount-fuji/&source=gmail&ust=1587061307065000&usg=AFQjCNEusjJSum4ic3SVt4jlEi8RMax-zA" href="https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/mount-fuji/" style="color: #1155cc;" target="_blank">Monte Fuji</a>, en Japón</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">La <a data-saferedirecturl="https://www.google.com/url?q=https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/samburu-kenya/&source=gmail&ust=1587061307065000&usg=AFQjCNGh5b76CaOe3BxiXUsP-92gzx23ZQ" href="https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/samburu-kenya/" style="color: #1155cc;" target="_blank">Reserva Nacional de Samburu</a>, en Kenia</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">La <a data-saferedirecturl="https://www.google.com/url?q=https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/eiffel-tower/&source=gmail&ust=1587061307065000&usg=AFQjCNH6VAjwBDJOpvE3nddGVkVD6jeMZw" href="https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/eiffel-tower/" style="color: #1155cc;" target="_blank">Torre Eiffel</a>, en París (Francia)</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">El <a data-saferedirecturl="https://www.google.com/url?q=https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/gombe-tanzania/&source=gmail&ust=1587061307065000&usg=AFQjCNFgQJwf5PXyTkZ7CVTPQyqrNN1OiQ" href="https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/gombe-tanzania/" style="color: #1155cc;" target="_blank">Parque Nacional de Gombe</a>, en Tanzania</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">La encantadora ciudad de <a data-saferedirecturl="https://www.google.com/url?q=https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/venice/&source=gmail&ust=1587061307065000&usg=AFQjCNGUVShGz_a9nDJvQZM13H0bKSCMmg" href="https://www.google.es/intl/es-419/maps/about/behind-the-scenes/streetview/treks/venice/" style="color: #1155cc;" target="_blank">Venecia</a>, en Italia</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">El círculo megalítico de<a data-saferedirecturl="https://www.google.com/url?q=https://www.english-heritage.org.uk/visit/places/stonehenge/history-and-stories/stonehenge360/&source=gmail&ust=1587061307065000&usg=AFQjCNGMSBz6itodVXOeyTcKvtvrPiUqJQ" href="https://www.english-heritage.org.uk/visit/places/stonehenge/history-and-stories/stonehenge360/" style="color: #1155cc;" target="_blank"> Stonehenge</a>, en Gran Bretaña</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">El campo de concentración de <a data-saferedirecturl="https://www.google.com/url?q=http://panorama.auschwitz.org/&source=gmail&ust=1587061307065000&usg=AFQjCNE0e-LlKKfIvaKzBaI-gU3yo6mf_Q" href="http://panorama.auschwitz.org/" style="color: #1155cc;" target="_blank">Auschwitz</a>, en Polonia</span></li>
<li style="margin-left: 15px;"><span style="font-family: verdana, sans-serif;">La <a data-saferedirecturl="https://www.google.com/url?q=https://sagradafamilia.org/es/visita-virtual/&source=gmail&ust=1587061307065000&usg=AFQjCNE8Kjv1lWCVJ3_HIT0Er6c-ycYR6w" href="https://sagradafamilia.org/es/visita-virtual/" style="color: #1155cc;" target="_blank">Sagrada Familia</a> de Barcelona.</span></li>
</ul>
<br style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;" />
<div style="background-color: white; clear: both; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: center;">
<a data-saferedirecturl="https://www.google.com/url?q=https://1.bp.blogspot.com/-3A3Mj2bvF0g/XpNp2_94O4I/AAAAAAAAeWg/0A_BcSurx308RGAXxHPLD7n_dRVguNGhQCKgBGAsYHg/s1600/IMG_20150408_144635-EFFECTS.jpg&source=gmail&ust=1587061307065000&usg=AFQjCNHGVAle-ZLWSSfxE91mpNT87XV-3Q" href="https://1.bp.blogspot.com/-3A3Mj2bvF0g/XpNp2_94O4I/AAAAAAAAeWg/0A_BcSurx308RGAXxHPLD7n_dRVguNGhQCKgBGAsYHg/s1600/IMG_20150408_144635-EFFECTS.jpg" style="color: #1155cc; margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" class="CToWUd" height="240" src="https://1.bp.blogspot.com/-3A3Mj2bvF0g/XpNp2_94O4I/AAAAAAAAeWg/0A_BcSurx308RGAXxHPLD7n_dRVguNGhQCKgBGAsYHg/s320/IMG_20150408_144635-EFFECTS.jpg" width="320" /></a></div>
<br style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;" /><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> </span><span style="font-family: Verdana, sans-serif;"><span style="background-color: white; color: #222222;">Nos organizamos la tarea:</span></span><br />
<ol style="background-color: white; color: #222222;">
<li style="margin-left: 15px; text-align: left;"><span style="font-family: Verdana, sans-serif;">Hay que<b> elegir un destino</b> que sea interesante de visitar.</span></li>
<li style="margin-left: 15px; text-align: left;"><span style="font-family: Verdana, sans-serif;">Como <b>información previa</b>, visitamos la página que proponemos como destino. (Podemos buscar otros destinos distintos).</span></li>
<li style="margin-left: 15px; text-align: left;"><span style="font-family: Verdana, sans-serif;">Hay que confeccionar un buen <b>dossier fotográfico</b> desde distintos puntos de vista.</span></li>
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;">El objetivo final es confeccionar un pequeño <b>apunte para un cuaderno de viaje</b>, donde podemos incluir:</span></li>
</ol>
<ul style="background-color: white; color: #222222;">
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;"><b>Fotografías</b> del lugar a visitar, con un pequeño pie de página con información</span></li>
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;">Una <b>música</b> relacionada con la visita </span></li>
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;">Una <b>lectura</b> que nos aclare el motivo de la visita (puede ser una guía de viaje, una novela, un artículo de revista, etc,,,) </span></li>
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;">Una <b>comida</b> típica (podemos incluir la receta)</span></li>
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;">El <b>idioma</b> que debemos conocer</span></li>
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;">Alguna <b>curiosidad</b></span></li>
<li style="margin-left: 15px;"><span style="font-family: Verdana, sans-serif;">¿Qué no debe faltar en la mochila?</span></li>
</ul>
<span style="background-color: white; color: #222222;"><span style="font-family: Verdana, sans-serif;">Por último, una vez finalizado, si te apetece puedes dar lo a conocer como comentario o sugerencia, en la parte de abajo del blog. No olvides de cuidar la presentación y la ortografía.</span></span>Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com2tag:blogger.com,1999:blog-2691178087414380266.post-85697312838753004072020-04-15T05:00:00.000+02:002020-04-15T20:00:18.674+02:00Leonardo Da Vinci (1452-1519)<!--[if gte mso 9]><xml>
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<br />
<div class="apuntes">
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="font-family: "verdana" , sans-serif;">Leonardo nació el 15 de abril de 1452 en la villa toscana de
Vinci, hijo natural de una campesina, Caterina y de Ser Piero, un rico notario
florentino. Italia era entonces un mosaico de ciudades-estado como Florencia,
pequeñas repúblicas como Venecia y feudos bajo el poder de los príncipes o el
papa. En el contexto internacional, un años después de su nacimiento despareció
el Imperio Romano de Oriente. Es un ambiente de violencia continúa y de luchas por
el control de territorios.</span></span></span></div>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: x-small;"><span style="font-family: "verdana" , sans-serif;">
</span></span></span></span><br />
<div style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; vertical-align: baseline;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><a href="https://1.bp.blogspot.com/-Vqejqln_X6E/XpXFPsZ3bVI/AAAAAAAAeYs/wnv-RdEFj_YESrui_vbro3_JI4iueOcZQCLcBGAsYHQ/s1600/Esfera-dorada-de-Santa-Maria-del-Fiore.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1249" data-original-width="1600" height="155" src="https://1.bp.blogspot.com/-Vqejqln_X6E/XpXFPsZ3bVI/AAAAAAAAeYs/wnv-RdEFj_YESrui_vbro3_JI4iueOcZQCLcBGAsYHQ/s200/Esfera-dorada-de-Santa-Maria-del-Fiore.jpg" width="200" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: xx-small;">Esfera de cobre de Sta Mª del Fiori</span></span></span></td></tr>
</tbody></table>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: xx-small;"><span style="font-family: "verdana" , sans-serif;"><span style="color: black;">Fue aprendiz en el taller de <a href="https://www.artehistoria.com/es/personaje/verrocchio-verrocchio-andrea-del" target="_blank">Andrea de Verrochino</a>, </span><span style="color: #333333;">durante seis años para poder ser
reconocido como artista libre, aquí aprendió pintura, escultura, técnicas y
mecánicas de la creación artística. El primer trabajo del que se tiene noticia
fue la construcción de la esfera de cobre proyectada por Brunelleschi para
la iglesia de <a href="https://blog.structuralia.com/cupula-de-santa-maria-del-fiore-la-mayor-cupula-de-mamposteria-del-mundo" target="_blank">Santa Maria dei Fiori</a>. Cerca del taller de Verrocchio, se encontraba
el de Antonio Pollaiuolo, donde realizó los primeros estudios de anatomía y
seguramente estudió latín y el griego.</span></span></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;">
</span></span><br />
<div class="apuntes" style="-webkit-text-stroke-width: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-caps: normal; font-variant-east-asian: inherit; font-variant-ligatures: normal; font-variant-numeric: inherit; orphans: 2; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;">
<div style="text-align: justify;">
<span style="font-family: "verdana" , sans-serif;">En 1482 abandonó Florencia y se asentó en el Milán de Ludovico
Sforza donde estuvo 17 años como «pictor et ingenierius ducalis». Su ocupación
principal era la de ingeniero militar, aunque realizó proyectos de hidráulica, mecánica
(con innovadores sistemas de palancas) y la arquitectura, además de la pintura
y la escultura. La peste que asoló Milán y que Leonardo creía que se
debía al hacinamiento y suciedad de la ciudad, por eso proyectó espaciosas
villas, dibujó planos para canalizaciones de ríos e ingeniosos sistemas de
defensa ante la artillería enemiga.</span></div>
</div>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;">
</span></span><br />
<div style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; vertical-align: baseline;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-U1ds1cuRx7k/XpXIuMiTf4I/AAAAAAAAeY4/58N47O6f6eUwcTpTi531QTrLjyXmqQFTACLcBGAsYHQ/s1600/Leonardo_Da_Vinci_-_Vergine_delle_Rocce_%2528Louvre%2529.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="396" data-original-width="250" height="320" src="https://1.bp.blogspot.com/-U1ds1cuRx7k/XpXIuMiTf4I/AAAAAAAAeY4/58N47O6f6eUwcTpTi531QTrLjyXmqQFTACLcBGAsYHQ/s320/Leonardo_Da_Vinci_-_Vergine_delle_Rocce_%2528Louvre%2529.jpg" width="202" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Virgen de las Rocas</td></tr>
</tbody></table>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="font-size: xx-small;"><span style="font-family: "verdana" , sans-serif;"><span style="color: #333333;">En la década de 1490 comenzó a terminar una serie de estudios que
se recopilarían en el <i style="box-sizing: border-box; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span style="border: 1pt none windowtext; padding: 0cm;">Codex Atlanticus</span></i>. No se preocupó por
formar su propia escuela, pero en su taller milanés se creó un grupo de fieles
aprendices y alumnos. Con anterioridad (1483) había recibido el encargo de la
hermandad de la Inmaculada Concepción de realizar una pintura para la iglesia
de San Francisco. Para ello pintó la <i><span style="border: 1pt none windowtext; padding: 0cm;"><a href="https://sites.google.com/site/leonardodavincicelia/home/obra/pintura/la-virgen-de-las-rocas?overridemobile=true"><span style="font-style: normal;">Virgen de las Rocas</span></a></span></i>, en dos
versiones, que no estaría acabado hasta veinte años más tarde. En ambas
versiones la estructura triangular de la composición, la gracia de las figuras
y el brillante uso del famoso <i style="box-sizing: border-box; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span style="border: 1pt none windowtext; padding: 0cm;">sfumato</span></i> para
realzar el sentido visionario de la escena lo que supuso una revolución
estética para sus contemporáneos.</span></span></span></span></span></div>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;">
</span></span><br />
<div style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; vertical-align: baseline;">
<span style="color: #333333; font-family: "verdana" , sans-serif;">Hacia 1498 finalizaba una
pintura mural, para el refectorio del convento
dominico de Santa Maria dalle Grazie, que lo convertiría en su consagración
pictórica: </span><i style="color: #333333; font-family: verdana, sans-serif;"><a href="https://www.milan-museum.com/es/ultima-cena-leonardo.php">La
Última Cena</a></i><span style="color: #333333; font-family: "verdana" , sans-serif;">. Hay que esforzarse
para entender el esplendor original, ya que se deterioró rápidamente y fue mal
restaurada.</span></div>
<div style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; vertical-align: baseline;">
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="color: #333333;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-Ulmcyyd-n4w/XpXJYU5EwVI/AAAAAAAAeZA/gU1_ipRwh2A7OHEmyQJxfgdlo2lPlE-LACLcBGAsYHQ/s1600/300px-The_Last_Supper_-_Leonardo_Da_Vinci_-_High_Resolution_32x16.webp" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="150" data-original-width="300" src="https://1.bp.blogspot.com/-Ulmcyyd-n4w/XpXJYU5EwVI/AAAAAAAAeZA/gU1_ipRwh2A7OHEmyQJxfgdlo2lPlE-LACLcBGAsYHQ/s1600/300px-The_Last_Supper_-_Leonardo_Da_Vinci_-_High_Resolution_32x16.webp" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;">La última cena</span></td></tr>
</tbody></table>
</span></span></span></div>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;">
</span></span><br />
<div style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; vertical-align: baseline;">
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="color: #333333;">En 1499 paso por Venecia (acosada
por los turcos) como ingeniero militar, en poco tiempo creó una cantidad de
artefactos cuya realización no llegaría a realizarse hasta los siglos XIX o XX.</span></span></span></div>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;">
</span></span><br />
<div style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin: 0cm; text-align: justify; vertical-align: baseline;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-fzgfdav_FBY/XpXJ59zjcVI/AAAAAAAAeZI/6MOsKWwA9vUG2MC1aWslsi9Koyl7hwXsACLcBGAsYHQ/s1600/245px-Leonardo_da_Vinci_-_Mona_Lisa_%2528Louvre%252C_Paris%2529.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="364" data-original-width="246" height="320" src="https://1.bp.blogspot.com/-fzgfdav_FBY/XpXJ59zjcVI/AAAAAAAAeZI/6MOsKWwA9vUG2MC1aWslsi9Koyl7hwXsACLcBGAsYHQ/s320/245px-Leonardo_da_Vinci_-_Mona_Lisa_%2528Louvre%252C_Paris%2529.jpg" width="215" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mona Lisa</td></tr>
</tbody></table>
<span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"><span style="color: #333333;">En abril de 1500, Leonardo da
Vinci regresó a Florencia. </span><span style="color: #333333;">Durante esos años, siguió con sus tareas de ingeniero militar,
pero ya era un consagrado pintor por lo que trabajó en obras como su <i style="box-sizing: border-box; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span style="border: 1pt none windowtext; padding: 0cm;">Santa
Ana, la Virgen y el Niño</span></i>, Leonardo trabajó tres años en <i style="box-sizing: border-box; font-stretch: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit;"><span style="border: 1pt none windowtext; padding: 0cm;">La
batalla de Anghiari</span></i>, que quedaría inconclusa<i><span style="border: 1pt none windowtext; padding: 0cm;"> Leda y el cisne</span></i>. L</span><span style="color: #333333;">a obra
cumbre de esta etapa (entre las pocas que acabó)) fue el retrato de Mona
(abreviatura de Madonna) Lisa Gherardini, esposa de Francesco del Giocondo, la
obra se conocería como la <i><a href="https://www.louvre.fr/en/oeuvre-notices/mona-lisa-portrait-lisa-gherardini-wife-francesco-del-giocondo">Mona
Lisa o Giocconda</a></i>. La obra se hizo famosa desde su creación y se
convirtió en modelo de retrato. El cuadro está lleno de misterios, se conoce
pocas cosas, ni siquiera quién encargó el cuadro, que Leonardo en sus últimos
años, llevaría a Francia y se lo vendería al rey Francisco I por cuatro mil
piezas de oro.</span></span></span><span style="color: #333333; font-family: "verdana" , sans-serif; font-size: 11.5pt;"><span style="font-size: small;"><span style="font-family: "verdana" , sans-serif;"> Poco después, el 2 de mayo de
1519 </span></span>murió en <a href="https://vinci-closluce.com/en">Clos Lucé, Amboise</a> (Francia)
</span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-63687218315030756462020-04-14T06:30:00.000+02:002020-04-14T06:30:04.129+02:00II República española<div style="text-align: justify;">
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día como hoy, hace 89 años se proclamó en España la II República en las grandes
ciudades de todo el estado. ¿Qué había ocurrido, para que un país profundamente
tradicional, se levantara republicano? Las elecciones del 12 de abril eran unas
elecciones municipales, encaminadas a formar unos nuevos ayuntamientos y derivó
dos días más tarde en la proclamación de la II República Española. </span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-N4WVfJzqDIA/XpR3XPQY6SI/AAAAAAAAeXU/0hCybjYCvb4d9vnfC5v14gbV3myIPa1DACLcBGAsYHQ/s1600/proclamacionrepublica-1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="280" data-original-width="400" height="280" src="https://1.bp.blogspot.com/-N4WVfJzqDIA/XpR3XPQY6SI/AAAAAAAAeXU/0hCybjYCvb4d9vnfC5v14gbV3myIPa1DACLcBGAsYHQ/s400/proclamacionrepublica-1.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Proclamación de la II República en Madrid</td></tr>
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<span style="font-family: "Calibri Light",sans-serif; mso-ascii-theme-font: major-latin; mso-bidi-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Posiblemente los ciudadanos no habían mudado de ideas, pero quizá
la Corona, que se proclamó al principio como una defensora de la modernidad que
impulsaba el siglo XX, fue adoptando posturas más conservadoras que nos
devolvían al siglo XIX y que la alejaban de los ciudadanos. Para entender el
desenlace, deberíamos encadenar una serie de acontecimientos que nos llevan al Desastre
de Annual de 1921, la crisis militar que generó y la llegada de la Dictadura de
Primo de Rivera en 1923.</span></div>
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<span style="font-family: "Calibri Light",sans-serif; mso-ascii-theme-font: major-latin; mso-bidi-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Cuando en enero de 1930, enfermo y sin apoyos, Primo de Rivera
abandona el poder, con varias intentonas neutralizadas a sus espaldas
(Sanjuanada, Sánchez Guerra y el golpe de Goded), también han abandonado al rey
algunos políticos monárquicos, los partidos políticos que ya debaten desde
finales de 1929 la eficacia del proyecto democratizador. Por lo tanto, el
republicanismo deja de ser una opción radical y se convierte en necesario para
muchos sectores de la sociedad.</span><span class="MsoCommentReference"><span style="font-family: "Calibri",sans-serif; font-size: 8.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-special-character: comment;"></span></span></span><span style="font-family: "Calibri Light",sans-serif; mso-ascii-theme-font: major-latin; mso-bidi-theme-font: major-latin; mso-hansi-theme-font: major-latin;"></span></div>
<div style="mso-element: comment-list;">
<hr align="left" class="msocomoff" size="1" width="33%" />
<div style="mso-element: comment;">
<div class="msocomtxt" id="_com_1">
<span style="mso-comment-author: "José Joaquín Lucas Durá"; mso-comment-providerid: AD; mso-comment-userid: "S\:\:jlucas\@gruposorolla\.es\:\:7aedd762-c091-4407-9b21-6e8536ec00bf";"></span>
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mso-bidi-theme-font:minor-bidi;
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<div style="text-align: justify;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: "verdana" , sans-serif;"><a href="https://1.bp.blogspot.com/-EkNjJjJiWow/XpSCviF5OcI/AAAAAAAAeXk/pKe10Pn_Zv0vIIWHliwfSnlivZU50fkIgCLcBGAsYHQ/s1600/jaca.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="445" data-original-width="676" height="131" src="https://1.bp.blogspot.com/-EkNjJjJiWow/XpSCviF5OcI/AAAAAAAAeXk/pKe10Pn_Zv0vIIWHliwfSnlivZU50fkIgCLcBGAsYHQ/s200/jaca.jpg" width="200" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: "verdana" , sans-serif;">Jaca (12 diciembre 1930)</span></span></td></tr>
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<span style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; mso-ascii-theme-font: major-latin; mso-bidi-theme-font: major-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-hansi-theme-font: major-latin;">Durante el verano de
1930 se produce el Pacto de San Sebastián, donde se acuerda convocar unas
Cortes constituyentes republicanas, garantizar la libertad religiosa, acometer
la reforma agraria y reconocer el derecho de autonomía de las regiones. A
partir de aquí los acontecimientos se suceden, el 15 de noviembre se publica el
conocido artículo de Ortega y Gasset "El error Berenguer" que termina
con las palabras <i>"Delenda est Monarchia"</i> y el 12 de
diciembre, tres días antes de lo previsto, los capitanes Fermín Galán y Angel
García proclaman la República en Jaca, su fracaso acabará con su fusilamiento y
la detención de los que cinco meses más tarde formarán el Consejo de Ministros
de la II República.</span></div>
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gobierno de la monarquía, del general Berenguer al almirante Aznar, este último
convoca elecciones municipales para el 12 de abril de 1931. Más tarde el
político conservador y monárquico Miguel Maura reconocería: <i>"Nos
regalaron el poder. Suavemente, alegremente, ciudadanamente, había nacido la II
República española"</i>. </span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-OahJoQzvG7A/XpSDTSM3iII/AAAAAAAAeXw/nJtb87KzVCk6lO6DtUKj49z7SBF00bu_QCLcBGAsYHQ/s1600/proclamacionrepublica-valencia.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="252" data-original-width="195" src="https://1.bp.blogspot.com/-OahJoQzvG7A/XpSDTSM3iII/AAAAAAAAeXw/nJtb87KzVCk6lO6DtUKj49z7SBF00bu_QCLcBGAsYHQ/s1600/proclamacionrepublica-valencia.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Valencia, 14 abril 1931</td></tr>
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Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
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elecciones se convirtieron en un plebiscito, en el mundo urbano ganarían las
candidaturas republicanas en el mundo rural las monarquías, según los recuentos
salieron más concejales monárquicos, pero las noticias tardaban en llegar. Y en
la mañana del 14 de abril, a las seis y media, se proclama la República en Éibar
y durante el resto del día, en las ciudades principales</span><span style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; mso-ascii-theme-font: major-latin; mso-bidi-theme-font: major-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-hansi-theme-font: major-latin;"></span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-35187389651166416762014-08-28T13:32:00.000+02:002014-08-28T18:08:15.886+02:00Peggy Guggenheim, coleccionista de arte<div class="titulo" style="background-color: white; margin-bottom: 8px; margin-top: 4px; padding: 0px;">
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<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-eizcGAmjBk8/U_9Q_hYNwtI/AAAAAAAABu0/84tPkDXgDB4/s1600/Peggy-Guggenheim.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://1.bp.blogspot.com/-eizcGAmjBk8/U_9Q_hYNwtI/AAAAAAAABu0/84tPkDXgDB4/s1600/Peggy-Guggenheim.jpeg" height="252" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Peggy Guggenheim<br /></td></tr>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Nacida el 26 de agosto de 1898 en Nueva York, fue nieta de Meyer Guggenheim e hija de Benjamín Guggenheim, del que heredó una importante fortuna, ya que su padre muríó en el hundimiento del Titanic.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Reconocida como una de las mecenas de arte más influyentes del siglo XX, reunió una colección de arte moderno a partir de finales de los años 30 del pasado siglo, en el París y Londres prebélico; apoyando los movimientos artísticos más interesantes de la época el cubismo, el expresionismo abstracto y surrealismo.</span></div>
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-ET-NWgb4K-0/U_9R2mDAu4I/AAAAAAAABu8/QKm9KjryZBE/s1600/peggyguggenheim.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><img border="0" src="http://3.bp.blogspot.com/-ET-NWgb4K-0/U_9R2mDAu4I/AAAAAAAABu8/QKm9KjryZBE/s1600/peggyguggenheim.jpg" height="200" width="175" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">Venecia</span></td></tr>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Durante la Segunda Guerra Mundial tuvo que volver a Nueva York, debido a su origen judío, allí abrió su galería-museo "<a href="http://www.theartstory.org/gallery-art-of-this-century.htm" target="_blank">Art of this Century"</a>, donde apoyó el expresionismo abstracto americano. Tras la guerra, en 1947, adquirió el<a href="http://www.guggenheim-venice.it/inglese/museum/palazzo.html" target="_blank"> Palazzo Venier dei Leoni </a>en Venecia, donde vivió hasta su muerte en 1979. Antes en 1969 legó su colección y el palacio a la Solomon R. Guggenheim Foundation.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">En la actualidad la Colección Permanente de los Museos Guggenheim, incluye las colecciones del Solomon R. <a href="http://www.guggenheim.org/new-york" target="_blank">Guggenheim Museum de Nueva York</a> y de la Peggy Guggenheim Collection de Venecia, así como otras adquisiciones realizadas por el<a href="http://www.deutsche-guggenheim.de/" target="_blank"> Deutsche Guggenheim de Berlín</a> y el<a href="http://www.guggenheim-bilbao.es/" target="_blank"> Museo Guggenheim de Bilbao</a></span><br />
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-22621471317766271182014-05-18T05:00:00.000+02:002014-05-18T05:00:04.841+02:00Walter Gropius, arquitecto<div style="text-align: justify;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 18.200000762939453px;">Nacido el 18 de mayo de 1883, este a</span><span style="background-color: white; text-align: justify;">rquitecto alemán, fue el fundador y director de la Bauhaus de 1919 a 1928, figura clave en la renovación arquitectónica del siglo XX. Con 23 años se le encargó la construcción de un grupo de casas rurales y cinco años después construía una de sus obras fundamentales: el edificio Fagus </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Factoría Fagus</td></tr>
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<span style="background-color: white; font-family: Arial, sans-serif;">En 1914 construyó en Bolonia para La exposición del Werkbund
un palacio para oficinas de atrevida concepción estructural, estética y
técnica. Durante la guerra estuvo en el frente, pero fueron años de
maduración, conjugando el problema social que supondría la arquitectura al
acabar la contienda y el problema estético. Al servicio de esta idea, se
aparta de los movimientos expresionistas y se dedica a la enseñanza. En 1919,
funda en Weimar la escuela llamada Bauhaus, a la que está especialmente
vinculado. En ella se formaran los mejores artistas alemanes, rusos, eslavos y
holandeses; la escuela se convirtió en un centro de vida y trabajo común. Allí
escribiría sus obras más importantes, <i>Internationale Architektur</i> y <i>Bauhausbauten
in Dessau; </i>pero el acento revolucionario de su obra era tan opuesto al
nacionalismo de Hitler, que éste ordenó su clausura en 1933.</span><o:p></o:p></div>
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<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-eFrRWd86JAo/U10VstWycbI/AAAAAAAAAgc/Arb56EzKeiM/s1600/EMBASSY.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://4.bp.blogspot.com/-eFrRWd86JAo/U10VstWycbI/AAAAAAAAAgc/Arb56EzKeiM/s1600/EMBASSY.jpeg" height="201" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Embajada de EEUU en Atenas</td></tr>
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<span style="font-family: Arial, sans-serif;">Se
estableció desde 1934 hasta 1937 en Inglaterra, donde construyó numerosos
edificios; de allí marchó a los Estados Unidos, donde desempeñó la cátedra de
Arquitectura en la Universidad de Harward. Recibió diferentes premios y sus
últimas obras fueron la construcción del complejo universitario de Bagdad
(1960); la embajada de Estados Unidos en Atenas (1961); el edificio de la Pan
Am, Grand Central City Building, en Nueva York (1963) y el edificio John
Kennedy en Boston (1964), entre otros. </span><span style="font-size: 13.5pt;"><o:p></o:p></span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-85806156762218606962014-05-07T04:30:00.000+02:002014-05-07T04:30:01.685+02:00Josep Renau (Dibujante y pintor)<div class="titulo" style="background-color: white; color: #68250b; font-family: Tahoma, Verdana, Arial, sans-serif; font-size: 18px; margin-bottom: 8px; margin-top: 4px; padding: 0px;">
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<a href="http://4.bp.blogspot.com/-4Kq-zzkI7OU/U1UqHRpjdFI/AAAAAAAAAfY/vyrNXa7M8xQ/s1600/renau1-754490.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-4Kq-zzkI7OU/U1UqHRpjdFI/AAAAAAAAAfY/vyrNXa7M8xQ/s1600/renau1-754490.jpg" height="233" width="320" /></a></div>
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<span style="color: black; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">Nació en Valencia el 7 de mayo de 1907. Estudia Bellas Artes en Valencia entre 1919 y 1925. Se
dedica al cartel publicitario y en los años 30 trabaja para revistas como
Estudios, Taula de Lletres Valencianes, Cuadernos de Cultura, ...<o:p></o:p></span></div>
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<a href="http://1.bp.blogspot.com/-h2KLzXfjQrY/U1UrSL11CdI/AAAAAAAAAfo/MfLPeT7D0vY/s1600/carteles_Josep_Renau_expuesto_retrospectiva_Museo_Arte_Contemporaneo_Madrid.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-h2KLzXfjQrY/U1UrSL11CdI/AAAAAAAAAfo/MfLPeT7D0vY/s1600/carteles_Josep_Renau_expuesto_retrospectiva_Museo_Arte_Contemporaneo_Madrid.jpg" height="320" width="235" /></a></div>
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<span style="color: black; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">En 1931 se afilia al Partido Comunista de España y
funda la Unión de Escritores y Artistas Proletarios en 1932 y la revista Nueva
Cultura, la cual tiene vida entre 1935 y 1937.<o:p></o:p></span></div>
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<a href="http://1.bp.blogspot.com/-7w6a6cb3VZY/U1UrKc_XulI/AAAAAAAAAfg/WUGHSHQ9lHU/s1600/39374213.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-7w6a6cb3VZY/U1UrKc_XulI/AAAAAAAAAfg/WUGHSHQ9lHU/s1600/39374213.jpg" height="235" width="320" /></a></div>
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<span style="color: black; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">Durante la guerra realiza carteles de propaganda a
favor de la República Española. En 1936 es director general de Bellas Artes,
presidente del Consejo Español del Teatro y director de propaganda gráfica del
Comisariado General del Estado Mayor Central. Se le encomienda la tarea de
salvaguardar el patrimonio artístico nacional durante la Guerra Civil. Con
motivo de la realización del Pabellón de España en la Exposición Internacional
de Artes y Técnicas de París, en 1937, encarga a Picasso la realización del
Guernica.<o:p></o:p></span></div>
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<a href="http://1.bp.blogspot.com/-feQzE2aLWZc/U1UrdzvAy5I/AAAAAAAAAfw/RV8rtkytgbI/s1600/n076p01k.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-feQzE2aLWZc/U1UrdzvAy5I/AAAAAAAAAfw/RV8rtkytgbI/s1600/n076p01k.jpg" height="320" width="219" /></a></div>
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<span style="color: black; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">En Enero de 1939, cruza la frontera hacia Francia, al
ser tomada Barcelona por las tropas franquistas, es internado en el campo de
refugiados d'Argelers y consigue un visado para México en Mayo de 1939. Colabora
con revistas españolas en el exilio y
crea los murales del Casino de Cuernavaca. En 1958 se instala en Berlín (Rep.
Democrática Alemana), realizando murales y fotomontajes (de esta época son Fata
Morgana USA - 1967 y The american way of life - 1977). Realiza varios viajes a
Valencia a partir de 1976 y en 1978 lega su obra a la Fundación Josep Renau,
que en estos momentos se encuentran depositados en el Instituto Valenciano de
Arte Moderno (IVAM). Muere en Berlín el
11 de octubre de 1982.<o:p></o:p></span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-45368272819536989472014-05-06T04:00:00.000+02:002014-05-06T04:00:00.843+02:00Ernst Ludwig Kirchner<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-k02tFh4E9jI/U1Ue5aIWSKI/AAAAAAAAAew/PF-zE_rFoSU/s1600/Ernst-Ludwig-Kirchner-Street-hooker-in-red.-Berlin-Street-Scene-.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-k02tFh4E9jI/U1Ue5aIWSKI/AAAAAAAAAew/PF-zE_rFoSU/s1600/Ernst-Ludwig-Kirchner-Street-hooker-in-red.-Berlin-Street-Scene-.JPG" height="400" width="287" /></a></td></tr>
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<dl class="datosAutor" style="margin: 0px 0px 5px; overflow: hidden; padding: 0px; text-align: left; width: 223px;"><dd class="dd_titulo" style="list-style: none; margin: 0px; padding: 0px; text-align: center;"><em style="margin: 0px; padding: 0px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: 1.5em;"> </span><span style="font-family: Times, Times New Roman, serif; font-size: x-small;">Calle con buscona rojo </span></em><span style="color: #7f7f7f; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">(Museo Thyssen-Bornemisza, Ma</span><span style="color: #7f7f7f; font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">drid)</span></dd><span style="font-size: xx-small;"><div style="text-align: center;">
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<span style="font-family: Verdana, sans-serif; font-size: 12pt;">El 6 de mayo de 1880 nacía en <span style="background: white;">Aschaffenberg, Bavaria, este pintor alemán. En
1905 fundó con otros estudiantes el grupo Die Brücke (El puente) en Dresde, </span></span><span style="background: white; color: #252525; font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">que pretendía crear un estilo plano
con colores puros, inspirado en el arte primitivo y el fauvismo francés.<o:p></o:p></span></div>
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<span style="color: #252525; font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">En
1911 se traslada a Berlín, donde realiza algunas de sus obras más
características dentro del expresionismo alemán, especialmente representaciones
de mujeres (prostitución, locales nocturnos de dudosa reputación, calles
angostas con personajes trajeados...).<o:p></o:p></span></div>
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<a href="http://2.bp.blogspot.com/-s4vUeVZ-GUA/U1UjeSRTEFI/AAAAAAAAAe8/klZY_7FqZjs/s1600/Ernst+Ludwig+Kirchner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-s4vUeVZ-GUA/U1UjeSRTEFI/AAAAAAAAAe8/klZY_7FqZjs/s1600/Ernst+Ludwig+Kirchner.jpg" height="320" width="279" /></a></div>
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<span style="color: #252525; font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">La
I Guerra Mundial le ocasionó una grave crisis nerviosa y su salud se resintió
más tras sufrir un atropello. Tuvo que optar por la tranquilidad de Davos
(Suiza), donde siguió pintando, en su mayor parte, paisajes más
tranquilos. Tras la ascensión del nazismo en Alemania, su arte fue considerado
“degenerado”, destruyéndole muchos de sus trabajos. Se suicidó en Frauenkirch,
cerca de Davos, en 1938.</span><span style="font-family: 'Times New Roman', serif; font-size: 12pt;"><o:p></o:p></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-5iug08ZvMzw/U1Ujxv59vbI/AAAAAAAAAfI/WLbm0a1nzmw/s1600/'Three_Bathers',_oil_on_canvas_painting_by_Ernst_Ludwig_Kirchner,_1913,_Art_Gallery_of_New_South_Wales.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-5iug08ZvMzw/U1Ujxv59vbI/AAAAAAAAAfI/WLbm0a1nzmw/s1600/'Three_Bathers',_oil_on_canvas_painting_by_Ernst_Ludwig_Kirchner,_1913,_Art_Gallery_of_New_South_Wales.jpg" height="320" width="235" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="background-color: #f9f9f9; color: #252525; font-family: sans-serif; font-size: 12px; line-height: 17.318559646606445px; text-align: left;">Tres bañistas</i><span style="background-color: #f9f9f9; color: #252525; font-family: sans-serif; font-size: 12px; line-height: 17.318559646606445px; text-align: left;"> (Galería de Arte de Nueva Gales del Sur, Australia).</span></td></tr>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-55115623773751039052014-04-24T14:10:00.000+02:002014-04-24T14:10:00.651+02:00Batalla de Mülhberg (Tiziano)<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-ti1tz5S6atI/U1KX2ZR5yEI/AAAAAAAAAdg/qiEpdtGlALE/s1600/P00410.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://1.bp.blogspot.com/-ti1tz5S6atI/U1KX2ZR5yEI/AAAAAAAAAdg/qiEpdtGlALE/s1600/P00410.jpg" height="320" width="271" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Carlos V en la batalla de Mühlberg de Tiziano en el Museo del Prado<br />
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<span style="line-height: 18px; text-align: justify; text-indent: 20px;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">La batalla de Mülhberg tuvo lugar el 24 de abril de 1547 entre las tropas imperiales de Carlos V y las de la Liga de Smalkalda, mandadas por el elector de Sajonia Juan Federico de Sajonia y el landgrave de Hesse, Felipe I de Hesse, que terminó con la victoria de las tropas imperiales católicas.</span></span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; text-indent: 20px;"><span style="font-size: small;">La obra fue encargada, probablemente, por María de Hungría,pasando más tarde, a los fondos de Felipe II. Entre 1606 y 1626 se colgó en el Palacio del Pardo, volviendo posteriormente al Real Alcázar. Ingresó en el Museo del Prado en 1827.</span></span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 18px; text-indent: 20px;"><span style="font-size: small;">Mientras Tiziano pintaba el retrato del emperador en Augsburgo, este reunía el Interim, entre protestantes y católicos, con el fin de acercar posiciones, por tanto, la figura del emperador que intenta dar la Corte, no es la de un arrogante vencedor, sino de alguien más conciliador. Este explica que la figura del emperador, aparezca aislada y no tenga alusión a la batalla concreta.</span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-78327624259095686852014-01-10T05:00:00.000+01:002014-01-10T05:00:03.806+01:00Eduardo Chillida Juantegui <div class="MsoNormal" style="text-align: justify;">
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<a href="http://4.bp.blogspot.com/-jxf5pG_ARHI/Us7nKnW_h8I/AAAAAAAAAZw/RvOas05KZ0k/s1600/EduardoChillida.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-jxf5pG_ARHI/Us7nKnW_h8I/AAAAAAAAAZw/RvOas05KZ0k/s1600/EduardoChillida.jpg" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Nace el diez de enero de 1924
en San Sebastián. A los 19 años comienza la carrera de Arquitectura en la
Universidad de Madrid; antes, en su ciudad natal fue portero titular de fútbol
de la Real Sociedad. A los pocos años abandona los estudios de Arquitectura
para dibujar en el Círculo de Bellas Artes de Madrid, realizando sus primeras
piezas en escultura.<o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Más se traslada a París y realiza sus primeras esculturas
en yeso, impresionado por la escultura griega arcaica del Museo del Louvre. Y
entabla amistad con el pintor Pablo Palazuelo.<o:p></o:p></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Tras casarse en 1950 con Pilar Belzunce en San
Sebastián, se trasladan a Vellennes-sous-Bois, regresado definitivamente a San
Sebastián. Chillida comienza a trabajar en la fragua de Manuel Illarramendi, en
Hernani. Realiza la primera pieza en hierro, <i>Ilarik</i>.</span><span style="font-size: medium;"><o:p></o:p></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-Q1vh0JBjWzU/Us7kJE49rXI/AAAAAAAAAZU/ok-hPiJRdJQ/s1600/1186141731_f.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://2.bp.blogspot.com/-Q1vh0JBjWzU/Us7kJE49rXI/AAAAAAAAAZU/ok-hPiJRdJQ/s1600/1186141731_f.jpg" height="320" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ilarik</td></tr>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">Su obra se
caracteriza por su introducción en los espacios abiertos, integrándose para
formar parte de ellos. Así, sus esculturas salen de su encierro en los museos,
«toman la calle» y se acercan a cualquier persona que lo desee. Un ejemplo es </span><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">El
peine de los vientos </i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">que</span><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;"> </i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">se
abre al mar de San Sebastián; la </span><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">Plaza de los Fueros de Vitoria</i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;"> hace
desear al espectador introducirse en ella para desvelar sus misterios... y su </span><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">Puerta
de la Libertad</i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">, del barrio gótico de Barcelona; y, la que tal vez sea su
obra más emblemática, </span><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">Gure Aitaren Etxea</i><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%; text-align: justify;">, en Gernika.</span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-RnNInwJ5E3w/Us7lez4kAjI/AAAAAAAAAZc/QlCB1J6n2io/s1600/Peine_vientos_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-RnNInwJ5E3w/Us7lez4kAjI/AAAAAAAAAZc/QlCB1J6n2io/s1600/Peine_vientos_2.jpg" height="95" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Peine de los vientos</td></tr>
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<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-BQQ-vvjjPns/Us7l5GEIzdI/AAAAAAAAAZk/wfAbWOlj4vA/s1600/42_ge429.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://4.bp.blogspot.com/-BQQ-vvjjPns/Us7l5GEIzdI/AAAAAAAAAZk/wfAbWOlj4vA/s1600/42_ge429.jpg" height="212" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 17px; text-align: start;"><span style="font-size: xx-small;">Gure Aitaren Etxea</span></i></td></tr>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Gran parte de su obra, quizá las piezas más queridas por el autor, pueden
disfrutarse en el <a href="http://www.museochillidaleku.com/" target="_blank">Chillida Leku</a><a href="http://cvc.cervantes.es/actcult/chillida/obra/museo.htm"></a>, un museo a
la medida de sus obras: al aire libre, en un paisaje privilegiado donde obra y
medio se integran a la perfección, o dentro del recinto, donde las manos
quieren tocar esas obras llenas de secretos y sorpresas, a través de las cuales
se puede observar la realidad desde una nueva perspectiva.</span></div>
Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-23693250053869813572013-12-31T04:00:00.000+01:002013-12-31T04:00:05.762+01:00Bartolomé Esteban Murillo<div style="text-align: justify;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Nació el 31 de diciembre de 1617 en Sevilla. Con catorce años entra a formar parte de la escuela sevillana de Juan del Castillo. Posteriormente se traslada a Madrid, donde en 1638 se conoce su primer cuadro "La visión de Fray Lauterio".</span></div>
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-feeT9VLnsVs/UrxF-BkReRI/AAAAAAAAAYg/W5NgsvLOP7o/s1600/Fray+Lauterio.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://2.bp.blogspot.com/-feeT9VLnsVs/UrxF-BkReRI/AAAAAAAAAYg/W5NgsvLOP7o/s320/Fray+Lauterio.jpg" width="251" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La visión de Fray Lauterio</td></tr>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; text-align: justify;">En 1644 ingresa en la Cofradía de N.Sª del Rosario y se hace cargo de la serie de pinturas del claustro chico del Monasterio de S. Francisco.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Le preocupa el dibujo y el color, más que la composición en sí, pintando obras que le dieron popularidad, escenas de las vidas de los santos</span></div>
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-18p2XIVLIPM/UrxGI9FdwhI/AAAAAAAAAYo/YDmC2-1uclE/s1600/cocina-de-los-angeles.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="141" src="http://3.bp.blogspot.com/-18p2XIVLIPM/UrxGI9FdwhI/AAAAAAAAAYo/YDmC2-1uclE/s320/cocina-de-los-angeles.gif" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La cocina de los ángeles</td></tr>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">En 1660 fundó la Academia de Dibujo de Sevilla. Pintó a los niños marginados como "el Niño pordiosero" (Museo del Louvre, París) y desde 1674 trabajó en las pinturas de la iglesia de la Caridad de Sevilla. Aunque se le conoce por el tema de la "Inmaculada Concepción", de la que tiene diversas versiones. Puedes ver algunas de sus obras en el siguiente <a href="http://youtu.be/5xanXvK1U_4" target="_blank">vídeo</a></span></div>
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-eOcttWQw0Ro/UrxGSssRFmI/AAAAAAAAAYw/IsngmXk_7J8/s1600/454PX-~1.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://3.bp.blogspot.com/-eOcttWQw0Ro/UrxGSssRFmI/AAAAAAAAAYw/IsngmXk_7J8/s320/454PX-~1.JPG" width="242" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">El niño pordisero</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Inmaculada Concepción</td></tr>
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<br style="background-color: white; font-family: Tahoma, Verdana, Arial, sans-serif; font-size: 13px; margin: 0px; padding: 0px; text-align: justify;" />Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-15019471936331974612013-12-23T06:00:00.000+01:002013-12-23T06:00:04.093+01:00Ildefons Cerdà i Sunyer, urbanista e ingeniero<div style="background-color: white; padding: 0.3em 0px;">
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<a href="http://3.bp.blogspot.com/-JgqGIH3V_ac/UhR-eJV_cNI/AAAAAAAAAkc/CrIeroEeBnw/s1600/biografia2-p.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-JgqGIH3V_ac/UhR-eJV_cNI/AAAAAAAAAkc/CrIeroEeBnw/s1600/biografia2-p.jpg" /></a></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Este Ingeniero de Caminos, Canales y Puertos, nació el 23 de diciembre de 1815 en el Mas El Cerdà de Centelles. Su familia lo destino a seguir estudios en el Seminario de Vic, más tarde estudia arquitectura y matemáticas en Barcelona y 1835 se traslada a Madrid estudiando en la Escuela de Ingenieros.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Ingreso en el Cuerpo de Ingenieros del Estado, estando destinado en diferentes provincias españolas y participando en la construcción de carreteras e infraestructuras. En 1849 renuncia a su plaza de funcionario y se dedica al estudio de "la idea urbanizadora", que cristaliza 10 años más tarde, con el Proyecto de Reforma y Ensanche de Barcelona. Su producción teórica se recoge en la obre "Teoría General de la Urbanización" de 1867.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-69716404224582479222013-12-13T15:52:00.000+01:002013-12-13T15:52:01.333+01:00Antoni Tapies<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-vho0GUWCKdo/UqsewxFKYAI/AAAAAAAAAX4/VtY_9_BFmLY/s1600/%C3%8Dndice+de+biograf%C3%ADas+-+Antonio+T%C3%A0pies+-+Paisatge+vermell.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="160" src="http://4.bp.blogspot.com/-vho0GUWCKdo/UqsewxFKYAI/AAAAAAAAAX4/VtY_9_BFmLY/s320/%C3%8Dndice+de+biograf%C3%ADas+-+Antonio+T%C3%A0pies+-+Paisatge+vermell.jpg" width="320" /></a></div>
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<span style="background: white; color: #333333; font-size: 14.0pt; line-height: 107%; mso-bidi-font-family: Arial;">Fue
un pintor, escultor y teórico del arte español. Uno de los principales
exponentes a nivel mundial del informalismo, está considerado como uno de los
más destacados artistas españoles del siglo XX. La obra del artista catalán
goza de un centro de estudio y conservación en la <a href="http://www.fundaciotapies.org/site/spip.php?rubrique65" target="_blank">Fundación Antoni Tàpies</a> de
Barcelona. Podemos conocer más de él, a través de este vídeo</span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-28020782280680564332013-12-08T00:08:00.000+01:002013-12-08T20:53:55.885+01:00Albert Gleizes <div style="text-align: justify;">
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<a href="http://3.bp.blogspot.com/-9S9IelSyNYo/UqTNDoe2i3I/AAAAAAAAA1s/OKjtvNoOAZw/s1600/Albert_Gleizes,_c.1920,_photograph_by_Pierre_Choumoff..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-9S9IelSyNYo/UqTNDoe2i3I/AAAAAAAAA1s/OKjtvNoOAZw/s1600/Albert_Gleizes,_c.1920,_photograph_by_Pierre_Choumoff..jpg" height="320" width="237" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="color: #333333;">Albert Gleizes formó parte del movimiento cubista en el París en la década de 1910 y contribuyó a su difusión teórica con la publicación, en 1912 junto a Jean Metzinger, del libro </span><em style="color: #333333; margin: 0px; padding: 0px;">Du Cubisme</em><span style="color: #333333;"> </span></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Sus primeras obras, cercanas al impresionismo, denotaban una clara preocupación por los temas sociales. En torno a 1910, un creciente interés por la estructura y una clara tendencia hacia la simplificación formal le llevaron a hacia el cubismo, del que también le atraía la pretensión de englobar a artistas de todas las nacionalidades y romper con los cánones burgueses. Desde entonces dedicó gran parte de su actividad a escribir sobre sus ideas estéticas e impartir numerosas conferencias. Durante su estancia neoyorquina entró en contacto con Francis Picabia y Marcel Duchamp y fue testigo de excepción del nacimiento del dadaísmo en Estados Unidos.</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">A su vuelta a Francia sufrió una profunda crisis personal y una gran decepción por el rumbo que tomaba la pintura de entreguerras, en 1927 creó una colonia de artistas, Moly-Sabata, que quería ser un reducto de salvación dentro de una sociedad abocada. Gleizes vio en los principios sociales del primer cristianismo una salida y, cuando en 1941 retornó al catolicismo, su arte se inclinó hacia la temática religiosa tomando como inspiración el mundo paleocristiano y medieval</span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-41303652758712015932013-11-26T19:30:00.000+01:002013-11-26T19:30:00.959+01:00Josep Antoni Coderch, arquitecto <div style="text-align: justify;">
<span style="background-color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Arquitecto español, nacido el 26 de noviembre de 1913; estudia en la Escuela Superior de Arquitectura de Barcelona, graduándose en 1940. </span></div>
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<span style="background-color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">El rechazo a la estética oficial de esos años y al panorama arquitectónico le hace buscar en solitario su propia alternativa, creando un lenguaje personal. Hace una crítica de la falta de calidad humana de algunas construcciones modernas y toma como influencia la arquitectura popular, en su intento de hacer compatible el progreso de los modernos sistemas de construcción, con la humanidad y funcionalidad de las construcciones populares, y así, partiendo de una postura sobre todo ética, consigue una estética de espacios agradables. </span><br />
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<span style="background-color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Entre sus obras, presentamos dos clásicos de la arquitectura: </span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;">La </span><i>casa Ugalde</i><span style="background-color: white;"> ubicada en un entorno natural en Caldetes, libre de los condicionantes de la arquitectura popular de Sitges, le permite un planteamiento radical: los muros se van girando como si estallaran desde un punto central, desde el cual se trazan unas visuales que marcan los vanos. La vivienda aparece totalmente invertebrada, sus muros curvos y retranqueantes .</span></span><br />
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<a href="http://2.bp.blogspot.com/-H1SnRiX5elg/UpTkUIhCGMI/AAAAAAAAAW8/PcE8jwEpWuU/s1600/1349019160-joern-schiemann2-1000x666.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="http://2.bp.blogspot.com/-H1SnRiX5elg/UpTkUIhCGMI/AAAAAAAAAW8/PcE8jwEpWuU/s400/1349019160-joern-schiemann2-1000x666.jpg" width="400" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;">Y el edificio </span><i>Girasol</i><span style="background-color: white;"> de Madrid (1966) que abrirá las viviendas a la luz, a la vez que protege visualmente su espacio que da sobre la propia vivienda; para ello, coloca unos patios en la fachada que la desdibujan, lo que hace que el edificio sea poco participativo con la ciudad. Es un intento de trasladar las villas mediterráneas a la ciudad, en un esfuerzo de hacerla habitable: Esto se refleja en el acceso, que consiste en una calle interior elevada y aislada por unos macizos de vegetación. </span></span><br />
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-73450617740635039562013-11-24T05:30:00.000+01:002013-11-24T12:31:46.304+01:00Henri de Toulouse-Lautrec, pintor<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; line-height: 21px;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Pintor Francés postimpresionista. Nace en una familia aristócrata en Albi el 24 de noviembre de 1864 y se traslada a París a la conocida calle Montmartre, s</span></span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white; text-align: justify;">e relacionó, entre otros pintores, con Van Gogh, </span><span style="background-color: white; text-align: justify;">Pierre Bonnard y Paul Gauguin.</span><span style="background-color: white; text-align: justify;"> S</span><span style="background-color: white; line-height: 21px;">e hace amigo de Degas. Frecuentó la vida nocturna realizando carteles, grabados y pinturas de la bohemia parisina.</span></span></div>
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<a href="http://1.bp.blogspot.com/-vPDo9mRINGc/Uo_dncatgNI/AAAAAAAAAWk/wefDE7K-OWw/s1600/hh-0254.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="262" src="http://1.bp.blogspot.com/-vPDo9mRINGc/Uo_dncatgNI/AAAAAAAAAWk/wefDE7K-OWw/s400/hh-0254.jpg" width="400" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="line-height: 21px;">Fue un hombre responsable dle trabajo, ya que acudia al taller o al estudio cada mañana, lo cual no le impidió llevar un vida bohemia en Montmatre, frecuentando cafés cantantes, teatros, prostíbuos y salas de baile. De hecho, las bailarinas del cancán y los personajes del circo son sus protagonistas</span></span></div>
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<br />Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-61720093229418521522013-11-22T07:30:00.000+01:002013-11-22T07:30:01.097+01:00Cecilio Pla, pintor<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; text-align: -webkit-center;">Nació en Valencia el 22 de noviembre de 1860 e inicio sus estudios en la Escuela de Bellas Artes de San Carlos de Valencia y, posteriormente, los amplió en la de San Fernando de Madrid, donde será discípulo de Emilio Sala. En 1880, realiza un viaje de ampliación de estudios por Italia, Francia y Portugal. En 1910, sucede a Emilio Sala como profesor de Estética del Color y Procedimientos Pictóricos en la Escuela de San Fernando. Realizará una importante labor de magisterio, donde se incluye su Cartilla de arte pictórico. </span></div>
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<span style="text-align: -webkit-center;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">En 1924, ingresó en la Academia de Bellas Artes de San Fernando. destacó como paisajista, pintor de género y retratista. Colaboró en la prensa como ilustrador, especialmente en la revista Blanco y Negro, con dibujos con frecuencia frívolos. Obtuvo galardones en exposiciones como la Universal de París de 1889 (tercera medalla) o la de Valencia de 1910, en la que obtuvo la medalla de oro. </span></span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; text-align: -webkit-center;">Destacó Pla como dibujante y colorista. Su obra cuenta con un indudable encanto, tanto en lo que a retratos como a escenas de género se refiere. Activo en los círculos conservadores del Madrid de su tiempo, llevó a cabo trabajos decorativos en palacios como el de Medinaceli, el de la Infanta Isabel o el que ocupa el Casino de Madrid. </span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; text-align: -webkit-center;">Esta considerado como el máximo exponente de la pintura modernista valenciana. Muchas de sus obras las podemos contemplar en el <a href="http://museobellasartesvalencia.gva.es/" target="_blank">Museo de BBAA de Valencia</a></span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-21737101296941785972013-11-21T05:00:00.000+01:002013-11-21T05:00:00.624+01:00René Magritte, pintor surrealista belga.<div class="separator" style="clear: both; text-align: center;">
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<b style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 107%;">René François Ghislain Magritte</span></b><span class="apple-converted-space" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 107%;"><span style="text-align: start;"> nació el </span></span></span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%;">21 de noviembre de 1898</span><span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%;">, en Lessines,<span class="apple-converted-space"> </span>Bégica</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%;"><a href="http://es.wikipedia.org/wiki/B%C3%A9lgica" title="Bélgica"></a></span><span class="apple-converted-space" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 107%;"><span style="text-align: start;">, </span></span><span style="background-color: white; line-height: 107%;">fue
un<span class="apple-converted-space"> </span></span></span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%;">pintor surrealista</span><span class="apple-converted-space" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 107%;"> muy importante en su
país</span></span><span style="background-color: white; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%;">.</span><span style="background-color: white; color: #30260c; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 107%;"> Perteneció
al grupo surrealista de París del que también formaban parte Jean Arp, André
Bretón, Salvador Dalí, Paul Eluard, y Joan Miró. Su exposición de 1936 en Nueva
York alcanzó fama mundial. En 1956 recibió el Premio Guggenheim.</span></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; color: #30260c; line-height: 107%;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Magritte es un destacado pintor surrealista que, además de
cultivar las características surrealistas citadas, utiliza situaciones
sorprendentes y contradictorias, mostrando una gran preocupación estética no
exenta de un cierto sentido del humor, en ocasiones ciertamente satírico e
incluso macabro. </span></span><span style="font-size: 14.0pt; line-height: 107%;"><o:p></o:p></span></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; color: #30260c; line-height: 107%;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Podemos conocer su obra a traves de la web <a href="http://unadocenade.com/una-docena-de-cuadros-de-magritte-para-entender-el-surrealismo/">"una docena de cuadros"</a> y profundizar sobre su vida y su obra en el <a href="http://obrarenemagritte.blogspot.com.es/">blog René Magrite</a></span></span></div>
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<br />Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-75811976732370294302013-11-20T08:30:00.000+01:002013-11-20T08:30:01.249+01:00Paulus Portes, pintor<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 20px;">Paulus Potter, pintor holandés fue bautizado el 20 de noviembre de 1625. </span><span style="background-color: white; line-height: 19.1875px;">Estudió pintura con su padre, quien pintaba bodegones y paisajes</span><span style="background-color: white; line-height: 19.1875px;">. Su padre fue durante un tiempo creador de colgaduras de cuero dorado en Ámsterdam. Paulus Potter ingresó en la guilda de San Lucas, esto es, el</span><span style="background-color: white; line-height: 19.1875px;"> g</span>remio<span style="background-color: white; line-height: 19.1875px;"> </span><span style="background-color: white; line-height: 19.1875px;">de pintores de</span><span style="background-color: white; line-height: 19.1875px;"> D</span>elft<span style="background-color: white; line-height: 19.1875px;">, en el año</span><span style="background-color: white; line-height: 19.1875px;"> 1646</span><span style="background-color: white; line-height: 19.1875px;">. Después </span><span style="background-color: white; line-height: 19.1875px;">se marchó a Ámsterdam. Potter fue invitado por</span><span style="background-color: white; line-height: 19.1875px;"> Nicolas Tulp</span><span style="background-color: white; line-height: 19.1875px;">, quien quedó impresionado por sus maneras y su educación. </span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Consiguió ejecutar alrededor de un centenar de cuadros, pintó sobre todo paisajes y animales, con gran preocupación por el detalle y el realismo en la representación. En cuanto a sus paisajes, prefería los escenarios del campo holandés, con sus praderas. Solía representar el paisaje soleado. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Potter falleció en 1654, a los 29 años de tuberculosis. Tuvo una gran influencia en los artistas que pintaron paisajes a principios del siglo XIX</span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-26984836947726780892013-11-19T14:00:00.000+01:002013-11-19T14:00:11.673+01:00194 años del Museo del Prado<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Se trata de un edificio neoclásico, empezado a construir en 1785 según un proyecto de <b>Juan de Villanueva</b>, arquitecto oficial del rey <b>Carlos III</b> y destinado en un principio a ser sede del Museo de Ciencias Naturales.</span></div>
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<span style="background-color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Con <b>Fernando VII</b> se convirtió en la Galería del Museo del Rey. Tras la interrupción de la guerra de la independencia, el Museo del Prado fue terminado de construir en 1819 e inaugurado el 19 de noviembre del mismo año, fecha en la que también se publicó su primer catalogo. Tras la muerte de Fernando VII, el museo se incluyó entre los bienes del rey, pasando a ser propiedad de<b> Isabel II</b>. Al exiliarse la reina en 1868, los bienes del museo se convirtieron en propiedad de la nación y pasó a denominarse con el nombre que hoy conocemos de Museo Nacional del Prado.</span></div>
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<span style="background-color: white; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Los primeros fondos de este museo fueron reunidos por Carlos V y su hermana, doña María de Austria, y enriquecidos posteriormente por las colecciones de Felipe II, Felipe III, Felipe IV, de los B<span class="SpellE">orbones</span> y por las donaciones primadas de la nobleza y las desamortizaciones eclesiásticas. En marzo de 1872 se le agregaron los fondos del Museo Nacional de la Trinidad. En julio de 1992, el Prado cifra sus fondos de pinturas en 7.626 cuadros, pertenecientes a las escuelas españolas, flamenca, italiana, alemana, francesa, portuguesa y otras inciertas o dudosas. Para un mayor detalle de la historia y fondos del Museo del Prado podemos acudir a la<a href="http://www.museodelprado.es/la-institucion/historia-del-museo/" target="_blank"> historia del Museo del Prado</a></span></div>
Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-29025303182410856092013-11-18T18:00:00.000+01:002013-11-20T18:01:53.447+01:00El Juicio Final de la Capilla Sixtina<div style="text-align: justify;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Tal día como hoy´de 1541, <b>Miguel Ángel </b>da por concluido el fresco el Juicio Final, en el altar de la <a href="http://www.vatican.va/various/cappelle/sistina_vr/index.html" target="_blank">Capilla Sixtina del Vaticano</a> . <span style="background-color: white; line-height: 20px;">El Papa </span><b style="background-color: white; line-height: 20px;">Clemente VII </b><span style="background-color: white; line-height: 20px;">le había encargado</span><b style="background-color: white; line-height: 20px;"> </b><span style="background-color: white; line-height: 20px;">la decoración pictórica de las dos paredes frontales de la </span><b style="background-color: white; line-height: 20px;">Capilla Sixtina</b><span style="background-color: white; line-height: 20px;">, en el ábside del fondo de la capilla, donde se encuentra el altar, se ubicaría </span><b style="background-color: white; line-height: 20px;"><i>El Juicio Final</i></b><span style="background-color: white; line-height: 20px;">, y en la pared de enfrente la, nunca realizada, </span><i style="background-color: white; line-height: 20px;">Resurrección. </i><span style="background-color: white; line-height: 20px;">Tras la muerte de</span><i style="background-color: white; line-height: 20px;"> </i><span style="background-color: white; line-height: 20px;">Clemente VII, es su sucesor</span><b style="background-color: white; line-height: 20px;"> Pablo III </b><span style="background-color: white; line-height: 20px;">el que retoma el proyecto, pero sólo encarga a Miguel Ángel el Juicio Final y la Resurrección queda descartada. Así, 25 años después de terminar el techo de la Capilla Sixtina comienza a trabajar en el Juicio Final. Es un enorme fresco de dimensiones excepcionales (13,70 x 12,20 metros) en el que mueven unas 400 figuras.</span></span></div>
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<span style="background-color: white; color: #333333; line-height: 23px;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Es una representación de la segunda venida de Cristo y el Apocalipsis. Las almas de la humanidad se elevan o descienden, juzgadas por Cristo. El Juicio Final fue objeto de disputa entre el <b>Cardenal Carafa</b> y Miguel Ángel. Como representó figuras desnudas, el artista fue acusado de inmoralidad y obscenidad. Carafa y Monseñor Sernini (embajador de Mantua) organizaron una campaña de censura para borrar los frescos. Cuando el maestro de ceremonias del Papa, <b>Biaggio da Cesena,</b> dijo que era vergonzoso que en un lugar tan santo se hubieran representado todas esas figuras desnudas, y que era una decoración propia de un baño público o de una taberna, pero no de una capilla papal, Miguel Ángel le representó en el fresco como Minos, el juez del infierno. </span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">1. Cristo Juez<br />2. La Virgen<br />3. San Lorenzo<br />4. Santa Marta o Santa Ana<br />5. San Andrés<br />6. Raquel o la Beatriz de Dante<br />7. Noé, o Enoch o Pablo III.<br />8. San Juan Bautista o Adán<br />9. Abrahám o San Bernardo o Julio II<br />10. Abel<br />11. 12. Níobe con una hija o Eva, o personificación de la maternidad, o la Iglesia misericordiosa y una hija.<br />13.La hija del faraón que encontró a Moisés o Sara, o Eva.<br />14. El arcángel Gabriel llevando la cruz.<br />14(a). Un ángel transporta la columna de la pasión.<br />15. Francesco Amadori, llamado el Urbino, o Tomás de Cavalieri.<br />16. San Bartolomé (con el rostro del Aretino).<br />17. La piel de San Bartolomé con el autorretrato de Miguel Ángel.<br />18. San Marco o Clemente VII.<br />19. San Pablo.<br />20. San Pedro.<br />21. Job, o Adán o Abraham.<br />22.La mujer de Job o Eva.<br />23.San Longino<br />24 Simón Zelota<br />25 San Felipe<br />26.Santa Catalina de Alejandría<br />27.San Blas<br />28. San Sebastián<br />29. San Fco. De Asís, o San Andrés, o Simón Cireneo.<br />30. Moisés o Adán.<br />31. Dante Aliguieri</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="color: blue;">B) Ángeles con las trompetas:</span></strong></span><br /><span style="color: #333333;">32. El arcángel San Miguel con el libro de los elegidos.</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="color: blue;">C) Resurrección de los muertos:</span></strong></span><br /><span style="color: #333333;">33. Dante</span><br /><span style="color: #333333;">34. Miguel Ángel, o el papa Julio II o Martín Lucero.</span><br /><span style="color: #333333;">35. Miguel Ángel.</span><br /><span style="color: #333333;">36. Savonarola.</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="color: blue;">D) Beatos que ascienden a los cielos:</span></strong></span><br /><span style="color: #333333;">37.38.39. Un beato que levanta a dos negros.</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="background-color: transparent; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="color: blue;">E) Réprobos condenados al Infierno:</span></strong></span><br /><span style="color: #333333;">40. Un orgulloso, o un condenado por desesperación.</span><br /><span style="color: #333333;">41. Un demonio.</span><br /><span style="color: #333333;">42. Un orgulloso o un perezozo.</span><br /><span style="color: #333333;">43. Un avaro o un papa simoníaco (Nicolás III).</span><br /><span style="color: #333333;">44. Un iracundo o un orgulloso.</span><br /><span style="color: #333333;">45. Un lujurioso.</span><br /><span style="color: #333333;">46.47.Pablo y Francisca de Rímini.</span><br /><span style="color: #333333;">48. Un orgulloso o un estafador.</span><br /><span style="color: #333333;">49. Caronte o Satanás (con los rasgos del Condestable de Borbón).</span><br /><span style="color: #333333;">50. César Borgia.</span><br /><span style="color: #333333;">51. Minos (con los rasgos de Biagio de Cesena).</span><br /><span style="color: #333333;">52.53. El conde Ugolino y el arzobispo Ruggeri.</span></span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-87135471308269163722013-11-16T05:00:00.000+01:002013-11-16T05:00:01.547+01:00Stefan von Reiswitz, pintor y escultor <div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-3VnYpyaH1rA/UoUI4l9v_YI/AAAAAAAAATc/fuKsOHOxKRo/s1600/stefan300.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-3VnYpyaH1rA/UoUI4l9v_YI/AAAAAAAAATc/fuKsOHOxKRo/s1600/stefan300.jpg" /></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="line-height: 20px;">Nacido en </span><span class="link_soon" cpid="1771627" style="line-height: 20px;" title="Múnich">Múnich</span><span style="line-height: 20px;">, el </span><span class="link_soon" cpid="3031322" style="line-height: 20px;" title="16 de octubre">16 de octubre</span><span style="line-height: 20px;"> de </span><span class="link_soon" cpid="1596961" style="line-height: 20px;" title="1931">1931, </span><span style="line-height: 20px;">este </span><span class="link_soon" cpid="1928668" style="line-height: 20px;" title="Pintor">pintor</span><span style="line-height: 20px;"> y </span><a cpid="686359" href="http://es.cyclopaedia.net/wiki/Escultor" style="color: black; line-height: 20px; text-decoration: none;" title="Escultor">escultor</a><span style="line-height: 20px;"> </span><a cpid="461473" href="http://es.cyclopaedia.net/wiki/Alemania" style="color: black; line-height: 20px; text-decoration: none;" title="Alemania">alemán</a>, la situaremos <span style="line-height: 20px;">bajo la influencia del </span><a cpid="127565" href="http://es.cyclopaedia.net/wiki/Surrealismo" style="color: black; line-height: 20px; text-decoration: none;" title="Surrealismo">surrealismo</a><span style="line-height: 20px;"> y el </span><span class="link_soon" cpid="2197256" style="line-height: 20px;" title="Dadaísmo">dadaísmo</span><span style="line-height: 20px;">. En los últimos años su </span><a cpid="686377" href="http://es.cyclopaedia.net/wiki/Escultura" style="color: black; line-height: 20px; text-decoration: none;" title="Escultura">escultura</a><span style="line-height: 20px;"> ha ido ganando importancia sobre su pintura.</span></span></div>
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<span style="line-height: 20px;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">La parcela menos conocida de la obra de Stefan es la escultura, iniciada en los años 50, pero convertida en dedicación sistemática de los últimos tiempos, especialmente desde su paso por la Academia Alemana de Roma. Admirador de las tallas medievales alemanas y flamencas de Marini, Lothar, Fischer, Luginbühl y Tinguely, de todas las técnicas de escultura, influenciado por las antiguas culturas del Mediterráneo. </span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="line-height: 20px;">Algún ejemplo de sus obras las podemos ver en la <a href="http://fundacionpicasso.malaga.eu/" target="_blank">Fundación Picasso de Málaga</a> y una obra monumental en el Parque Oeste de Málaga. </span></span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-91518136482101940132013-11-14T05:30:00.000+01:002013-11-20T18:02:19.402+01:00Oscar-Claude Monet, pintor<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-e0uA9d2WV6E/UoFewtepugI/AAAAAAAAATI/YUEwMOWG1vU/s1600/Claude+Monet.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://1.bp.blogspot.com/-e0uA9d2WV6E/UoFewtepugI/AAAAAAAAATI/YUEwMOWG1vU/s320/Claude+Monet.jpg" width="267" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Claude Monet</td></tr>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: Calibri, sans-serif; font-size: 14pt;">Nació el 14 de noviembre de 1840 en<span class="apple-converted-space"> </span>París, aunque se crió en Le
Havre, donde se trasladó a los cinco años y donde cursó estudios de dibujo y
pintó marinas junto a <u>Eugène Louis Boudin</u>. </span><span style="font-family: Calibri, sans-serif; font-size: 14pt;"><ewkv style="background-color: white; margin: 0px; padding: 0px;"> Ganó
un poco de dinero dibujando caricaturas, gozaba de cierta reputación.</ewkv></span><span style="font-family: Calibri, sans-serif; font-size: 14pt;"><o:p></o:p></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; font-family: Calibri, sans-serif; text-align: justify;"><span style="font-size: x-small;">Vue prise à Rouelles</span></span></td></tr>
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<span style="font-family: Calibri, sans-serif; font-size: 14pt;">En 1858, participa por primera vez en la <span style="background: white;">Exposition Municipale du Havre, con el cuadro
titulado "Vue prise à Rouelles"</span><ewkv style="background-color: white; margin: 0px; padding: 0px;">,
de ese mismo año. Con el apoyo de su padre y de su tía Jeanne-Marie Lecadre,
fue recomendado al pintor <u><span style="background-position: initial initial; background-repeat: initial initial;"></span></u></ewkv><u>Armand
Gautier</u></span><ewkv style="background-color: white; margin: 0px; padding: 0px;">, </ewkv><span style="font-family: Calibri, sans-serif; font-size: 14pt; line-height: 107%;">viajando a París en 1859. Allí acude a una
academia libre, la<span style="background: white;"> Académie Suisse</span><ewkv style="background-color: white; margin: 0px; padding: 0px;">.</ewkv></span><span style="font-family: Calibri, sans-serif; font-size: 14pt; line-height: 107%;"> </span><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: Calibri, sans-serif; font-size: 14pt;">Ingresa en el estudio Gleyre, donde conoce a <u>Bazille</u>, <u>Renoir</u> y <u>Sisley</u><a href="http://www.buscabiografias.com/bios/biografia/verDetalle/134/Alfred%20Sisley"></a>. <o:p></o:p></span></div>
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<br /></div>
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<span style="background: white; font-family: "Calibri","sans-serif"; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Tahoma; mso-hansi-theme-font: minor-latin;">En mayo de 1868 vive en Fécamp con su mujer Camille y su hijo, pasando una situación
familiar muy difícil y tras un fallido
intento de suicidio, recibe ayuda económica de Gaudibert. Ese verano se
traslada a El Havre, donde
es condecorado con la medalla de plata de la Exposition Maritime Internationale du Havre. Monet se casa
con Camille en junio de 1870 y se trasladan a Normandía, a Trouville,
donde les sorprende la declaración de la guerra franco-prusiana. Monet, de ideas republicanas, no desea
luchar por su Imperio y viaja a Londres.
Allí, se encontrará con <u><a href="http://www.buscabiografias.com/bios/biografia/verDetalle/107/Camille%20Pissarro"><span style="color: windowtext;">Camille </span></a>Pissarro</u>, <u>Sisley</u>
y <u>Daubigny</u>. Gracias
a este último, Monet entra en contacto con el marchante parisino Durand-Ruel. A partir del mes de
septiembre una obra del artista figurará en la exposición organizada por dicho
marchante en Londres. Se translada a Holanda,
fascinado por sus paisajes se instala en Zaandam, en las proximidades de Amsterdam, donde permanece hasta terminada
la guerra, regresando a París.<o:p></o:p></span></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: Calibri, sans-serif; font-size: 14pt;">Pintaba al aire libre paisajes y escenas de la
sociedad burguesa, según su estilo evolucionaba, transgredía los convencionalismos
en beneficio de una expresión artística más directa. En 1874, junto a sus
colegas, organizan sus propias exposiciones. Se autodenominaron los independientes, aunque se les
aplicó burlonamente la etiqueta de impresionistas a
causa del aspecto inacabado de sus obras (como una primera impresión) y también
porque una de las pinturas de Monet llevaba el título "Impresión: sol naciente" (1872,
<a href="http://www.marmottan.fr/" target="_blank">Museo Marmottan</a>, París). Intentó captar las variaciones del color a través de
sus series sobre un mismo tema, a distintas horas o durante estaciones
diferentes. <o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-OM9n858wANA/UoFd9Rt3MVI/AAAAAAAAAS4/af7UshWaid8/s1600/Monet,+Impresion,+sol+naciente.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="244" src="http://3.bp.blogspot.com/-OM9n858wANA/UoFd9Rt3MVI/AAAAAAAAAS4/af7UshWaid8/s320/Monet,+Impresion,+sol+naciente.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; font-family: Calibri, sans-serif; text-align: justify;"><span style="font-size: x-small;">Impresión: sol naciente</span></span></td></tr>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: Calibri, sans-serif; font-size: 14pt;">A mediados de la década de 1880, estaba considerado
como el dirigente de la escuela impresionista, alcanzando el reconocimiento y
una buena posición económica. Valorado como maestro de la observación
meticulosa. En 1890 adquirió una propiedad en el pueblo de Giverny, cerca de París, y allí
comenzó a construir un nuevo jardín (hoy abierto al público) -un estanque con nenúfares atravesado por un
puente japonés colgante con sauces y matas de bambú-. <o:p></o:p></span></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-family: Calibri, sans-serif; font-size: 14pt;">Claude Monet continuó pintando, a pesar de que la
vista le fallaba, casi hasta el momento de su muerte, el 5 de diciembre de 1926
en Giverny. </span><span style="font-family: Calibri, sans-serif; font-size: 14pt;"><o:p></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2691178087414380266.post-659823477196108352013-11-11T19:05:00.001+01:002013-11-20T18:02:38.935+01:00Armisticio 1918<div class="heading pbxl" style="line-height: 18px; padding: 0px 0px 20px; vertical-align: baseline;">
<span style="margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">El armisticio del 11 de noviembre de 1918 significa la capitulación de Alemania y el fin de la I Guerra Mundial. Este día se ha constituido como el día de recuerdo y homenaje a los soldados desconocidos. El primer homenaje se celebró en 1920.</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="margin: 0px; padding: 0px; vertical-align: baseline;">Durante aquella guerra </span>murieron unos 10 millones de personas, principalmente en Europa, y 20 millones volvieron lisiadas, cifras nunca alcanzadas hasta el momento.</span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">El armisticio se firmó en un lugar tranquilo y aislado, no lejos del cuartel general aliado de Senlis ni del frente de batalla, en un claro cerca de Reahondes, en las inmediaciones del bosque de Compiegne. El vagón 2419-D del tren del mariscal Foch sirvió de lugar de las negociaciones y de la firma del armisticio de la Primera Guerra Mundial.</span></div>
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Jose Joaquín Lucashttp://www.blogger.com/profile/08167220191648602767noreply@blogger.com0